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When the discussion turned to a wartime action off Mindanao , the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had reread his logs and that she was correct. The initial plan was to use the stand-held microphones used in studios, but when these proved to be problematic, the cast switched to hand-held microphones, which because of the plane's cabin pressure became difficult to hold.

Three flights were made that day; a rehearsal in the afternoon, then two in the evening—one for the initial pm broadcast and another at pm for the West Coast broadcast. She returned to the program in ; it ended its run on NBC Radio the following year.

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Weston, her conductor on the program, suggested using some of the folk music for the show. With her renewed interest in folk tunes came an interest in folklore; Stafford established a contest to award a prize to the best collection of American folklore submitted by a college student. Stafford continued to record. She duetted with Gordon MacRae on a number of songs. Weston moved from Capitol to Columbia Records , and in , Stafford followed suit.

Content and very comfortable working with him, Stafford had had a clause inserted in her contract with Capitol stating that if Weston left that label, she would automatically be released from her obligations to them. Although Stafford and Paul Weston had known each other since their introduction at the King Sisters' party, they did not become romantically involved until , when Weston traveled to New York to see Stafford perform at La Martinique. Tim Weston became an arranger and producer who took charge of Corinthian Records, his father's music label, and Amy Weston became a session singer , performing with a trio, Daddy's Money, and singing in commercials.

In the s, Stafford had a string of popular hits with Frankie Laine , six of which charted. In the UK, it was the first song by a female singer to top the chart. In the UK, it entered the charts on November 14, , at number 12, reached number one on January 16, , and stayed on the charts for 19 weeks. Both Stafford and Weston returned to Capitol in During the s, Stafford briefly performed comedy songs under the name "Cinderella G.

Stump" with Red Ingle and the Natural Seven. In , she recorded a hillbilly-style parody of " Temptation ", pronouncing its title "Tim-tayshun". After meeting Ingle at a recording studio, she gave an impromptu performance.

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Throughout the s, Stafford and Weston entertained party guests by performing skits in which they impersonated a poor lounge act. The audience was very appreciative of his rendition of " Stardust ", particularly Columbia executives George Avakian and Irving Townsend , who encouraged Weston to make an album of such songs. Weston worried that he might not be able to find enough material for an entire album, and he asked his wife to join the project. Stafford's creation of Darlene Edwards had its roots in the novelty songs that Mitch Miller , the head of Columbia's artists and repertoire department, had been selecting for her to sing.

These included songs such as "Underneath the Overpass", and because she did not agree with Miller's music choices for her, Stafford and her studio musicians often recorded their own renditions of the music, performing the songs according to their feelings about them. Those who heard bootlegs of the recording responded positively, and later that year, Stafford and Weston recorded an album of songs as Jonathan and Darlene, entitled The Piano Artistry of Jonathan Edwards. As a publicity stunt, Weston and Stafford claimed that Jonathan and Darlene Edwards were a New Jersey lounge act they had discovered, and denied any personal connection.

In an article titled "Two Right Hands" in September , Time reported that some people believed the performers were Harry and Margaret Truman , but the same piece identified Weston and Stafford as the Edwardses. The Grammy was Stafford's only major award. The couple continued to release comedy albums for several years, and in released a cover of the Bee Gees' "Stayin' Alive" as a single, with an Edwards interpretation of Helen Reddy 's " I Am Woman " as its "B" side.

In , Stafford was offered a contract to perform at Las Vegas , but declined it to concentrate on her family life. She retired fully in Stafford won a breach-of-contract lawsuit against her former record label Columbia in the early s. Because of a clause concerning the payment of royalties in her contract, she secured the rights to all of the recordings she made with the company, including those Weston and she made as Jonathan and Darlene Edwards.

Stafford was admired by critics and the listening public for the purity of her voice, and was considered one of the most versatile vocalists of her era. Her style encompassed a number of genres, including big band, ballads, jazz, folk and comedy.

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Those things describe the woman, too. In their guise of Jonathan and Darlene Edwards, Weston and Stafford earned admiration from their show-business peers. Pianist George Shearing was a fan and would play " Autumn in New York " in the style of Edwards if he knew the couple were in the audience. In , Stafford said working closely with Weston had good and bad points. His knowledge of her made arranging her music easy for him, but sometimes it caused difficulties. Weston knew Stafford's abilities and would write or arrange elaborate music because he knew she was capable of performing it. She also said she did not believe she could perform in Broadway musicals because she thought her voice was not powerful enough for stage work.

Stafford's music has been referenced in popular culture. Commenting on the latter reference for his book Singers and the Song , which includes a chapter about Stafford, author Gene Lees says, "[it] somehow sets Stafford's place in the American culture.

You're getting pretty famous when your name turns up in crossword puzzles; you are woven into a nation's history when you turn up in its fiction. Stafford was a Democrat, supporting John F. Kennedy for president in Stafford appeared in films from the s onwards, including Alexander's Ragtime Band. From Wikipedia, the free encyclopedia. American singer Capitol Columbia Dot Corinthian.

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Stafford's biggest hit topped the charts in both the United States and the United Kingdom. With this recording she became the first female singer to top the chart in the U. An excerpt from one of the tracks on the Grammy Award-winning comedy album Jonathan and Darlene Edwards in Paris , which presents Stafford as Darlene singing off-key in a high-pitch voice and her husband Paul Weston as Jonathan accompanying her on an out-of-tune piano.

Main article: Jo Stafford filmography. Copies of the document can be viewed at Wikimedia Commons here and here. The Sherbrooke Telegram. February 23, Retrieved January 9, The Guardian. Retrieved August 21, Singers and the Song. The New York Times. Retrieved February 13, The Daily Telegraph.

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Retrieved August 14, Radio Mirror. April The Independent. Boston Globe. State of California.

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October 15, New York Sun. Random House LLC. Retrieved September 1, Let's Get Together and Swing. Retrieved October 28, The Washington Post. Retrieved July 28, The University of Arizona School of Music. Archived from the original on October 26, Retrieved July 24, Retrieved December 12, Pathfinder Publishing of California. Retrieved May 4, American Singing Groups: a History from to Today. Hal Leonard Corporation.

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July 18, Retrieved November 19, Archived from the original PDF on May 21, Retrieved July 30, The New York Sun. Retrieved August 19, Vanity Fair. Retrieved July 27, Tune In Magazine. March July 1, Retrieved June 28, Big Band Music. Retrieved February 3, A Voice from Home. The New Yorker.

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