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Note: Contains adult themes. The film premiered in the International Critics' Week Special Screenings section at the 65th Cannes International Film Festival in , was screened in the Discovery section at the 37th Toronto International Film Festival in , was shot on location in France and is a French production which was produced by producers Emilie Tisne and Isabelle Madeleine.

Based on a Victorian novel by Wilkie Collins, Basil is a British-made costume drama that ended up on cable and home video. His father is upset about his questionable choices and threatens to disown him, thereby renouncing his birthright to inherit Windemere Manor. Note: Most did not like this film, if the reviews are indications of popular sentiment. However, Wilkie Collins fans would do well to read this article from which the following is excerpted, and to view the film.

The sets remind us that the plot is not progressing, but rather spiralling or repeating. While Collins enacts a turbulent and confusing confrontation with modernity, by contrast, the film version of Basil exudes an airy confidence in its re-enactment of the Victorian. The contemporary Victorian film is and is not a nostalgia film Eternally young and passionate, we are in control of our pasts and presents; we love our enlightened modernity and the way we can make history over into ourselves. When the superintendent of the Canadian insane asylum, Dr.

Maurice Bucke, meets poet Walt Whitman, his life and that of his wife and patients is radically changed. Walt Whitman, played by Rip Torn, is the notorious, free-thinking American poet who became the catalyst for change in the lives of Dr Maurice Bucke and his wife Jessie Bucke. Dr Bucke, a contemporary man trapped in Victorian society, is the superintendent of a repressive mental asylum in a small town in Canada.

Thwarted at every attempt to bring about change Bucke is transformed after meeting Walt Whitman by his direct and compassionate means of communication. A lasting friendship is formed. Turning their backs on convention, it seems that only a miracle and a cricket match, will shake the very foundations of Victorian tradition.

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The ever present specter in ''Beloved'' is that of slavery, which Ms. Morrison conjured with such inspired obliqueness in a story set just after the Civil War. On a difficult journey to find freedom, Sethe Winfrey is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past Glover unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton and Lisa Gay Hamilton -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films.

Based on a true story. Like The Turn of the Screw, it has no final explanation. Spirit manifestations come from madness and need not follow logical agendas. It is a remarkable and brave achievement for Demme and his producer and star, Winfrey, to face this difficult material head-on and not try to dumb it down into a more accessible, less evocative form. Note: ''Beloved'' is rated R. It includes graphic nudity, sexual situations and discreetly brief flashes of terrible brutality.

Movies on TV this week: April 12 ‘Network’ on TCM

Rowan Atkinson is deliciously twisted as the comic villain, Edmund Blackadder, in the enormously popular comedy series. One of the best comedy series ever to emerge from England, Black Adder traces the deeply cynical and self-serving lineage of various Edmund Blackadders from the muck of the Middle Ages to the frontline of World War I. In his pre-Bean triumph, British comic actor Rowan Atkinson played all five versions of Edmund, beginning with the villainous and cowardly Duke of Edinburgh, whose scheming mind and awful haircut seem to stand him in good stead to become the next Archbishop of Canterbury--a deadly occupation if ever there was one.

Among tales of royal dethronings, Black Death, witch smellers who root out spell makers with their noses , and ghosts, Edmund is a perennial survivor who never quite gets ahead in multiple episodes. Jump to the Elizabethan era and Atkinson picks up the saga as Lord Edmund, who is perpetually courting favor from mad Queen Bess Miranda Richardson and is always walking a tightrope from which he can either gain the world or lose his head.

Subjected to bizarre services for her majesty at one point, Edmund is asked to do for potatoes what Sir Walter Raleigh did for tobacco , Edmund--as with his ancestor--can never quite fulfill his larger ambitions. The next incarnation we encounter is in lateth-century Regency England. This time, Blackadder is a mere butler to the idiotic Prince Regent Hugh Laurie in a brilliantly buffoonish performance and is caught in various misadventures with Samuel Johnson, Shakespearean actors, the Scarlet Pimpernel, and William Pitt the younger.

With a brief stop in Victorian London for a Christmas special, the series concludes with several episodes set during the Great War. The new Edmund is a career Army officer, but a scoundrel all the same. Shirking his duties whenever possible and taking advantage of any opportunity for undeserved reward, this final, deeply sour, and very funny Blackadder negotiates survival among a cadre of fools and dimwits.

No small mention can be made of Atkinson's supporting cast, easily among the finest comic performers of their generation: besides Laurie and Richardson, Stephen Fry, Tony Robinson, and Tim McInnerny. Dickens' classic tale of the infamous Jarndyce case which has been dragging through the courts for years, ruining lives and leaving entire families devastated.

A notable plot omission in this version is the story of Caddy Jellyby and the Turveydrop family. This television production faithfully adapts Charles Dickens' Bleak House, an indictment of Victorian England's corrupt legal and class systems that prey on the weak and the innocent.

Esther Summerson Suzanne Burden , a kind and level-headed young woman introduced as an orphan, is the link who knits several storylines together as a witness to injustice. Acclaimed writer Andrew Davies turns his talents to one of Charles Dickens' most brilliant novels, arguably the greatest ever depiction of Victorian London -- from its splendid heights to its most wretched depths. Honored with a Peabody award and ten Emmy nominations, Bleak House features some of the most famous plot twists in literary history, including a case of human spontaneous combustion and an infamous inheritance dispute that is tied up for generations in the dysfunctional English courts.

An epic feast of characters and storylines, Bleak House is Dickens' passionate indictment of the convoluted legal system that is as searingly relevant today as it was in the midth century. The court of Chancery becomes the center of a tangle of relationships at all levels of society and a metaphor for the decay and corruption at the heart of Victorian England.

Cobham Hall was also used for some interiors of Chesney Wold such as the hallway and the staircase. Gary Oldman's metamorphosis as Dracula who grows from old to young, from man to beast is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire.

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Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula, and then dares to confront him. Opulent, dazzling and utterly irresistible, this is Dracula as you've never seen him. Based on Bram Stoker's classic novel, the major departure from Stoker is one of motivation as Count Dracula Gary Oldman is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker Winona Ryder , the living image of his late wife Ryder plays a dual role, as do several of her costars.

Bram Stoker's Dracula was the winner of three Academy Awards. Bramwell follows the fortunes of Dr. Eleanor Bramwell Jemma Redgrave in her pursuit of public health and private amours in Victorian-era London. Feisty and unconventional, her sights are set on becoming a leading surgeon, an ambition unheard of for women in Victorian society.

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Eleanor's father Robert David Calder would like his daughter to join him in his respectable private practice, but his daughter has plans of her own which take her from the drawing rooms of the elite to the shocking deprivation of the slums of London's East End. From the very beginning Eleanor's strongly held opinions and desire to take the medical profession out of the dark ages draw her into conflict with Sir Hamilton's old fashioned and often barbaric practices. But Eleanor's energy and compassion also win her friends, including Lady Cora Peters who recognizes Eleanor's talents and sets her up in a small charitable infirmary in the slums of the East End where she will encounter the difficulties and dangers of attending to the needs of both London's poor and criminal underworld.

With extraordinary depth and vitality, Jemma Redgrave plays Dr. Eleanor Bramwell, an ambitious doctor intent on becoming a surgeon who struggles to make her mark in the medical world while mocked by her male counterparts. In the season opener, Eleanor works at East London hospital under the patronizing tutelage of Sir Herbert Hamilton until she no longer can tolerate his barbaric medical practices—especially toward women.

Redgrave gives an intelligent performance, developing her character at many levels, as a deeply compassionate, headstrong, flawed individual who remains true to her convictions. Not suitable for young children due to mature themes. Note: Four seasons were produced. Willow and Thatch just loved this series - except for the last season, which only contained two episodes and was uncharacteristic of the show and perhaps, better left unwatched.

The rediscovered Classic now fully re-mastered and available for the first time ever. In a dreary presbytery in Yorkshire, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the sisters write their first works that quickly become literary sensations. Their brother, Branwell, a gifted painter, becomes entangled in a complicated May-December romance that tragically effects everyone in the family.

Director Yves Simoneau explores the plight of the American Indian in the later half of the 19th century in this docudrama exploring the effects of westward expansion and based on the book by Dee Brown. In the s, after the U. In Washington, D. Charles Eastman in working with tribe members. Meanwhile, Lakota Chief Sitting Bull refuses to give into mounting government pressures. This epic film, directed by legendary Canadian filmmaker Allan King, tells the story of young Lukas Bienman, an indentured servant in 19th century Prussia.

A classical adventure story in the genre of David Copperfield and Kidnapped, By Way of the Stars begins in the 19th century Prussia where youn Lukas Zachary Bennett is thrown into turmoil when his mother Anja Kruse dies in childbirth, and his grandfather Dietmar Schonherr returns to Canada in anger, blaming Lukas's father Christian Kohlund for the mother's death.

Lukas's problems escalate when he witnesses a murder by the nobleman count Otto von Lebrecht Hannes Jaenicke ; at the same time his father, Karl, is unjustly accused of a crime and imprisoned. His life shattered, Lukas is indentured as a servant in the castle of the Baron von Knabig Gunther Maria Halmer , where he encounters Ursula Gema Zamprogna , the haughty little Baroness; her kind and generous mother Dominique Sanda ; and her evil Uncle Otto, the man responsible for his father's imprisonment.

Lukas orchestrates his father's prison escape with the help of Nathan the Peddler Jane Rubes , but circumstances prevent them from feeling together. Events sweep our characters on a disastrous voyage across the ocean to the New World, where Lukas and Ursula survive an outbreak of smallpox; escape a kidnapping attempt by a pair of con artists; and elude Otto by bracing treacherous river rapids, only to find themselves lost in the Canadian wilderness. Against the backdrop of post-Civil War, we inter-cut the father's adventures in America. His desire to reunite with his son leads Karl to help a young black boy flee north to Canada.

The tragic end to this venture brings Karl to his father-in-law, willing to do anything the grandfather asks as long as Lukas is brought to the New World. Note: This is a made for television movie, and some loved it, others thought it was a real disappointment, unable to do service to Alexandre Dumas' novel.

The cast is great, and the costumes strong, so Willow and Thatch has included it here. But it is a touch too stately. The final impression is one of being a beautiful, but not much more than serviceable, illustration of the book. The story of Camille Claudel - , sister of well-known French diplomat and poet Paul Claudel, is relatively unknown outside Europe. A sculptress, she was deeply involved both romantically and professionally with famous sculptor Auguste Rodin.

Camille Claudel was produced at the instigation of its star, Isabelle Adjani, who plays Camille.