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I started the campaign to get people involved in sharing stories about the different obstacles that people have to overcome. There was a girl who sent me a story about how members of her family had been killed by someone that was close to them. I started getting lots of stories like that one sent to me, and I wanted to share them by putting them on my social media. It was really about having a bit of a social shift - especially now, with so much negative and crazy, crazy news happening. I just felt it was important to share something on the flip side that was uplifting.

You start your UK tour in February. Is there anything else in the pipeline for ? I want to get back in the studio again after the tour. The tour was initially going to be a bit longer, but I made it this length so that I had time to get back in the studio and start writing again. Set in the dark days of the Second World War, the show tells the tale of an unlikely collaboration between a cabaret singing sensation and a Polish refugee songwriter, delving into the latter's illicit same-sex love affair with an upper-class impresario.

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I wanted to challenge people's expectations of what musicals could be by combining the best bits of musical theatre - the fantastic show tunes, the wit and the humour with a really strong, surprising story, and I think with Miss Nightingale we've achieved that. This is a show which makes people cry with laughter one moment and moves them to tears the next.

As the horror of war and totalitarian regimes created a climate of fear, homosexuality was considered dangerous and unpatriotic, and women's social roles changed dramatically while sons and husbands were away from home fighting. For those interested in finding out more about the history behind the musical, Bugg and his Marketing Director partner, Toby Oliver, have compiled a range of brilliant resources.

These are accessible via the Miss Nightingale website and include images, videos, articles and lists of recommended books and films. It was great having him on board because he'd always be questioning me and making really insightful points about historical accuracy. Providing that information for those who want it is a really important part of what we're trying to do in terms of demonstrating that there can be much more to musical theatre than people often think.

Toby's family were also an invaluable resource, having fled to Britain just before the outbreak of war. They were all either German or Czechoslovakian Jews who were fortunate enough to get out before people started being sent to concentration camps. They've been to see the show and they absolutely love it. There's also been a lot of restructuring.

In total there have been about thirty-five songs written, and only about twenty-two of them are in the current version, four of which are new.

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I think this illustrates the level of rigour we're approaching it with, and that's probably partly why it's doing so well. He's got some really mucky oneliners, and it's great fun to play a part where almost every single line gets a laugh from the audience. If anything, he says, it allows for a greater level of input from the rest of the team. Because the pool of people working on the show is very small, we're able to be very collaborative.

Listening to each other becomes quite easy when you've only got a small number of people to listen to, so everyone can have a say on everything, and we're still able to drive things forward quickly and efficiently. Every performer in the show must be able to dance, play instruments and sing as well as act. Perhaps surprisingly, for this tour at least, they've had few problems filling every role.

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It was hard when we first started and no one really knew what we were doing, but since , we've been inundated with people wanting to work with us - partly because they liked what we were doing but also because word got round the industry that we had this very collaborative way of working. From then on, we've had the absolute pick of the crop, and this year we've got a really impressive cast, all with very different levels of experience.

We do have audience members saying that all the time often people who've been dragged along to see it by their partners have ended up really enjoying it. If you look at other Belgrade Theatre from 9 to 13 popular musicals, they're all based on preFebruary. More information about the existing works. In that same year, Harvey was assassinated by Dan White, who was also serving in public office. Travelling the. How did Harvey inspire you when you were a young man, Stuart, and what was it like having an uncle who was so high profile? It was a double-edged sword.

When I was a young lad, it was still illegal in most of the US to be gay; it was still classed as a mental illness. Harvey was my touchstone for authenticity. He would let me know that all my differences are important for the world even when the world doesn't understand that. As a young kid with the last name Milk, which is rare, and having this prominent uncle, it was kind of brutal.

People would ask me if I was like my uncle.

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It was a tough time to be openly gay in the US, like it still is in some parts of the world today. But I would take a ribbing about my last name any day of the week in return for the type of moral compass my uncle was able to give me.

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How has his legacy inspired your work since? It was Archbishop Desmond Tutu who said to me and Anne Kronenberg, who was Harvey's campaign manager, that Harvey is the only gay person who knowingly gave his life for the movement. That wasn't Hollywood. He recorded messages; he knew he was going to be killed. His primary purpose was to come out and take a bullet, so that nobody had to be masked anymore. He hoped it would empower people to be selfaccepting. You co-founded the Harvey Milk Foundation. What are its main objectives?

Well, we primarily work around the globe, around Harvey's legacy and how we need to continue that. There's this myth that once we achieve marriage equality, or once we achieve. He also explains why the teaching of LGBT history is so important - not only for gay people but also for the wider community We can see that that's simply untrue. We have a lot of work to do, and because we're talking about LGBT History Month, one of our phrases is that unless we teach history, we'll repeat it.

We've seen that in human kind for a long time. It's so great to have partnered with LGBT History Month because not only is my uncle part of global history, we're all part of it. Some of the amazing figures in UK history from the LGBT community, we must hear their stories and we must learn not to go backwards. You've got political parties in Europe that will always be willing to take us backwards, meaning that LGBT people would be marginalised and diminished. Are you looking forward to it?

Oh, absolutely! I'm thrilled to be in the Midlands; it will be a highlight of my trip. That's one of the great things about LGBT History Month not only do we learn about history, we can also share our own history. Why are events such as this, and the discussion of LGBT history, so important? Well, like I said, if we don't teach history, we repeat it. We must learn from all these amazing individuals that the UK has who have stood up and stood out when it was impossible to do so. You have these truly heroic figures, not only in literature, but people who challenged Section I can guarantee there are young people who don't even know that Section 28 existed.

There's a need to teach LGBT history for this reason. The organisers have put together a brilliant schedule, so please come out and join History Month. If you've ever heard me and Sue Sanders talking together, you'll be anything but bored! It'll be exciting! It's important that we don't leave any of those letters behind. So if you don't know about the L, the G, the B or the T, come out and meet us, meet them and learn about it.